Lost Highway Review: David Lynch’s Underrated Classic Starring Patricia Arquette & Bill Pullman

Lost Highway is the most underappreciated David Lynch film, one that served as an introduction to where he’d be heading in the early 2000s on. Because Lost Highway doesn’t make much sense, and the illogical, beguiling snippets and vignettes that take place within the movie are of a similar nature to Mulholland Drive and Inland Empire. And while Lost Highway is slightly less operatic than Mulholland Drive (and much less indulgent than Inland Empire), it’s still one of Lynch’s best movies, and one of the best movies of the 1990s, period.

Patricia Arquette and Balthazar Getty in Lost Highway (1997), directed by David Lynch
Patricia Arquette and Balthazar Getty in Lost Highway (1997), directed by David Lynch

The first half of Lost Highway is centered on professional saxophone player Fred Madison, played by Bill Pullman. Fred is tormented by eerie visions of murder and voyeurism. Strange events keep happening around him, all culminating in a video tape sent to his house that shows the death of his wife Renee (Patricia Arquette). Once arrested, Fred has an out-of-body experience while on death row that turns Lost Highway on its head.

The rest of the film becomes more and more cryptic, thanks in part to idiosyncratic, often mysterious performances from Balthazar Getty, Robert Blake, and Robert Loggia. The trio introduce an underground world to the viewer that partially explains the murder we see take place in the first act. Robert Blake is particularly disturbing and grotesque playing the mysterious man that is able to get inside of the mind of Fred Madison and inexplicably be in multiple places at once.

Lost Highway is among David Lynch’s best movies because it’s endlessly beguiling and intriguing despite how undecipherable it is. Maligned upon its initial release in 1997, the movie takes a couple viewing to settle in. It has a lo-fi quality similar to how Inland Empire does, with extreme close ups and jagged fish eye shots that are spliced together to keep you uneasy. The movie survives on its bad vibes, which are abundant and powerful.

Lost Highway was recently reissued in 4k by the Criterion Collection so there’s been a reevaluation of the movie within the last year. The 4k restoration is beautifully/harrowingly rendered in great detail. The sound design is revved all the way up, boasting a similarly greasy score underlining characters on the run like Lynch and composer Angelo Badalamenti (Blue Velvet, Fire Walk with Me, The Straight Story, Mulholland Drive) accomplished with Wild at Heart.

While it used to feel like a movie lost to the 90s, Lost Highway has had a bit of resurgence. It remains in the top tier of David Lynch movies because it serves as a necessary template for the surrealist filmmaking style that he would develop further and further with his subsequent releases.

Score: 9/10

More Reviews for Movies Directed by David Lynch

David Lynch has directed the following movies:

Support Cinephile Corner

Cinephile Corner is dedicated to delivering insightful film criticism, thorough retrospectives, and comprehensive rankings that celebrate the art of cinema in all its forms. Our mission is to foster a deeper understanding and appreciation of film history, offering in-depth analysis and critical perspectives that go beyond the surface. Each movie review and ranking is crafted with a commitment to quality, accuracy, and timeliness, ensuring our readers always receive well-researched content that’s both informative and engaging.

As an independent publication, Cinephile Corner is driven by a passion for film and a dedication to maintaining an unbiased voice in an industry often shaped by trends and mainstream appeal. If you value our work and would like to support our mission, please consider donating via PayPal to help us keep Cinephile Corner alive and growing. Your support is invaluable—thank you for being a part of our journey in film exploration!