Here are Cinephile Corner’s 10 recommendations for action movies like Mutiny:
Bullet Train
Despite Brad Pitt‘s best efforts, Bullet Train comes off as a movie with wonderful action and miserable storytelling. David Leitch tries to inject his usual tricks, but they don’t make up for heartless narratives and cheap jokes.
A Working Man
Jason Statham continues his relentless streak of mid-tier action vehicles with A Working Man, a film that feels as workmanlike as its title suggests. Following his roles in Meg 2: The Trench and The Beekeeper, Statham trades giant sea monsters and bee-themed vengeance for a more grounded but also more generic revenge setup. He plays Levon Cade, an ex-Royal Marine Commando turned construction foreman in Chicago, in a film that’s essentially a stripped-down Taken clone without much flavor or personality to distinguish itself.
The Gray Man
When The Gray Man is working at its best, it has the wiseass-ery of Chris Evans at the center, even if it takes a decent amount of runtime for him to even enter the fold. Otherwise, Ryan Gosling barely ties this comatose Netflix action movie together.
Mayday
In one of the more stunning turn of events in 2026, I had a great time with Mayday. A Ryan Reynolds-led straight-to-streaming action movie on Apple TV+ is basically the opposite of a sales pitch for me, with every element of that sentence somehow getting worse the more I think about it. The only thing less noteworthy than Reynolds’ output this side of Mississippi Grind (absent Deadpool) has been the track record of straight-to-streaming action movies, and Apple TV+’s action slate in particular.
They Will Kill You
There’s a version of They Will Kill You that I would’ve liked quite a bit more than the one we ultimately got. For about the first forty-five minutes, director Kirill Sokolov wears his influences so openly that it becomes part of the fun. The film is drenched in Tarantino worship, from the geysers of blood and elaborate swordplay to moments that feel lifted straight from the filmmaker’s particular brand of exploitation excess (there may or may not be a shot of a demon licking the toes of a certain heroine). If you like Kill Bill, it’s hard not to have at least a little fun watching Sokolov channel that same chaotic energy, even if he never quite makes it his own.
Ballerina
Considering the rocky production history behind it, Ballerina emerges as a competent entry in the John Wick universe—though one that never quite matches the highs of the mainline films. At its center, Ana de Armas delivers a strong performance as Eve, bringing physicality and grit to a role that demands both, while the action—particularly in the second half—benefits greatly from the influence of Chad Stahelski, who stepped in alongside Keanu Reeves to help reshape much of the film after original director Len Wiseman’s version assumingly faltered.
The Amateur
The Amateur plays like a collage of better films. It’s not egregiously bad—just forgettable, over-familiar, and often flat. Despite flashes of life from its supporting cast and a premise that could’ve breathed new life into the spy genre, this is a film that fizzles rather than detonates. If you’re looking for the next Mission: Impossible or Bourne, this isn’t it. It’s not even a great slow-burn alternative. It’s just… there.
G20
G20 is not just a misfire, it’s a symptom of a larger streaming trend: high-concept projects stretched thin by weak scripts, formulaic direction, and over-reliance on big names to carry the weight. Viola Davis has led action movies far superior to G20.
Fight or Flight
Fight or Flight feels like it’s trying to play in the big leagues of modern action but without the distinctive characters, choreography, or creative spark to back it up. It’s neither grounded enough to be gritty nor wild enough to be fun. While Josh Hartnett remains an intriguing actor in the right roles, this isn’t one of them. It’s a forgettable detour in a genre full of better, more fully realized flights.
Novocaine
Novocaine works best as an entertaining genre exercise. It’s competently made, sometimes clever, and visually sharp. But it never quite reaches the heights it’s aiming for. It doesn’t reimagine the action-comedy or elevate its characters beyond the surface. Still, it’s a watchable 90 minutes, and for fans of Jack Quaid or high-concept thrillers with a soft edge, it’s worth a casual look.
READ MORE: Movies Like Mayday, Movies Like They Will Kill You
