Here are Cinephile Corner’s 10 recommendations for movies like The Actor:
Mulholland Drive
Over 20 years since its release, Mulholland Drive is a worthy canonical entry into film history. David Lynch pieces together one of the strangest, most beguiling movies ever. Every image of this film is seared into my memory. Naomi Watts and Laura Harring both give powerhouse lead performances.
Magnolia
Magnolia might feel a bit like the film that got away from Paul Thomas Anderson (because it kinda is), but it’s the sort of big-budget passion project that up-and-coming filmmakers rarely get to make nowadays. The ensemble cast of Magnolia is littered with A-listers and common Paul Thomas Anderson players, from Julianne Moore and Philip Seymour Hoffman to Tom Cruise and John C. Reilly, each actor adds their own weight to this shotgun blast of characters.
All of Us Strangers
Andrew Haigh’s All of Us Strangers emerges as one of the most quietly devastating and emotionally resonant films of 2023. From its opening scene, where Adam (Andrew Scott) and Harry (Paul Mescal) meet in the empty expanse of their apartment complex, the film invites viewers into a world filled with space, vibrant colors, and thoughtful design. Andrew Haigh, known for his work on films like Weekend and 45 Years, crafts a poignant narrative that explores the complexities of love, loss, and the haunting specter of the past. What transpires certainly stands as one of his best works yet as a director.
Adaptation
I’ve never fully connected with Charlie Kaufman’s work, so it’s no surprise that Adaptation leaves me feeling indifferent. It’s arguably the most Kaufman-centric film ever made, literally placing him at the center of his own story, with Nicolas Cage delivering a fantastic dual performance as both Kaufman and his fictional twin brother, Donald. The supporting cast—including Meryl Streep and Chris Cooper—is strong, but if you’re not particularly invested in Kaufman’s neurotic, self-reflective storytelling, Adaptation can feel more like an intellectual exercise than a satisfying narrative.
Barbie
Greta Gerwig and Margot Robbie deliver one of 2023’s most colorful and sincere trips to the movies. Barbie is a movie that transcends style and set design, offering a visual feast with enough laughs along the way.
Beau Is Afraid
Ari Aster puts his career and positive public perception on the line to create his most singular and divisive piece of filmmaking yet. Although easily his least accessible and structured movie, Beau Is Afraid still manages to work due to Aster‘s distinct eye for jaw-dropping images and scenes and Joaquin Phoenix‘s committed performance.
Poor Things
At the heart of Poor Things is Emma Stone‘s exceptionally dedicated performance, making a compelling case for her second Oscar for Best Actress. Her willingness to embrace daring characters and collaborate with auteurs like Yorgos Lanthimos reinforces her status as one of the industry’s leading performers.
I Saw the TV Glow
Jane Schoenbrun delivers a similarly sinister and bewildering story with I Saw the TV Glow as they did in 2021 with We’re All Going to the World’s Fair. And while their debut film used its DIY aesthetic to great effect with long uninterrupted found-footage shots, I Saw the TV Glow uses every effect and camera flourish you could think of.
Inland Empire
Inland Empire is not nearly the best David Lynch movie, but it sure is the strangest. It bounces from loosely connected vignettes at a moments notice. Lynch finds a groove with help from a trio of solid performances, headlined by Laura Dern as the main character capable of morphing when required.
Presence
Presence is another fascinating experiment from Steven Soderbergh, a filmmaker who has spent the last decade pushing his own creative boundaries. With films like Kimi and Magic Mike’s Last Dance, he’s proven he can reinvent genres with an auteur’s touch, and Presence continues that trend—this time through a unique first-person POV horror/thriller. While the movie doesn’t entirely stick the landing, its technical craftsmanship and conceptual ambition make it an intriguing entry in Soderbergh’s ever-evolving filmography.